Order of Pieces
Elis Pehkonen
(1942 - )
13th Century Dances
FANFARE / PROCESSION
DANSE ROYALE / DUCTIA (Presto) /
PLAINSONG (Horn/Oboe) / DUCTIA (Andante)
FANFARE / ENGLISH DANCE /
PLAINSONG (Bassoon/Flute)
LAMENTO DI TRISTANO / DUCTIA 3
(Con moto)
FANFARE / ESTAMPIE ROYALE /
SALTARELLO / PROCESSION
Wolfgang Amadeus Mozart (1756 - 1791)
Oboe Concerto
ALLEGRO APERTO/ ADAGIO NON TROPPO/
RONDO (ALLEGRETTO)
Sir Malcolm Henry Arnold (1921 - )
Little Suite No. 2
OVERTURE/ BALLAD/ DANCE
Antonin Dvořák
(1841 - 1904)
Symphony
No. 8
ALLEGRO CON BRIO/
ADAGIO/ ALLEGRETTO GRAZIOSO/
ALLEGRO MA NON
TROPPO
Saturday 12th February
2005
Introducing Suffolk
Coastal in Concert
Taking to the stage at Snape
is probably a career highlight for many professionals but this weekend that
dream will come true for over 100 local singers and musicians. Suffolk Coastal
in Concert is an exciting project that brings together professional and amateur
musicians in what promises to be a wonderful weekend of music.
The weekend’s performances promise a
stimulating and rewarding selection of works from noted composers from across
the world and close to home. Suffolk Coastal recognises the importance of the
arts and is proud to be playing its part in supporting and encouraging their
development.
This celebration of music would not have been possible
without the backing of the Arts Council, the Eastern Orchestral Board, and
English Sinfonia, whose contributions have brought
this project to life. I am delighted that my Council has been involved in this
partnership, bringing musical excellence and public participation to this
wonderful venue.
Maggy Wilson
Suffolk Coastal District
Council Cultural Portfolio Holder
Sir Malcolm Arnold
Sir
Malcolm began his professional career as an orchestral player and joined the
London Philharmonic Orchestra when he was still just 19 years old and in his
second year at the Royal College of Music. When he was only 21, he became their
principal trumpeter.
Arnold has written nine symphonies,
along with a wide range of other music whose influences range from classical to
jazz. He has written music for oboe, clarinet, flute, horn, harmonica,
recorder, and bassoon; for brass and woodwind ensembles, for orchestra and for
piano and for all brass and string instruments. He has also written scores for
over 100 films, including The Sound Barrier, Bridge on the River Kwai and Hawick, Queen of the
Border.
Antonin Dvořák
Antonin Dvorak wrote nine
symphonies, but only lived to see five of them published during his lifetime.
His final five symphonies were published under the titles “No. 1” to “No. 5”,
whilst his first four symphonies remained unknown until after his death. The
first four symphonies were published in the 20 years following his death, but
were denied wide recognition owing to the confusion in the numbering.
Eventually, by the 1950s, the first four symphonies were inserted into his list
of works with the correct numbering. Symphony No. 8 was written in 1889, and in
February 1890, Dvorak himself conducted its premiere in Prague.
Wolfgang Amadeus Mozart
Wolfgang Mozart composed the Oboe Concerto when he was
living in Salzburg
in early 1777. He reworked the piece in 1778 by transposing the key to D major
and transforming it into a Flute concerto. This change was adopted as a failed
attempt to satisfy a commission he had received from an amateur Dutch flautist.
The version performed here is the original Oboe Concerto in which the outer
movements showcase the soloist in a dialogue with the ensemble of strings and
joined by further pairs of oboes and horns.
PATRICK BAILEY
Patrick Bailey has conducted concerts with Sinfonia 21, the New Music Players, Britten-Pears
Orchestra, ViVA and others in London
and at festivals in Aldeburgh, Brighton, Bath
and York. For The Opera Group he has conducted
Bernstein’s Candide,
Shostakovitch’s The
Nose, Peter Maxwell Davies’ The Matyrdom of St. Magnus , Walton’s The Bear, the premiere of Edward Rushton’s
The Young Man with the Carnation at
the Almeida Opera and Monteverdi’s Orfeo. With the New
Music Players Patrick has made several recordings and broadcasts and has
conducted music to silent film. He is on
the staff at the Royal College of Music and the London College of Music and
Media.
PHILIP
HARMER
Born in Essex
in 1969, Philip began playing the oboe at the age of 11, learning with Caroline
Marwood and then continuing with Rosemary Wells. He entered the Royal College of Music in 1988
to study with Michael Winfield. While
there he won various prizes including an Exhibition and the Joy Boughton Memorial Award.
Since leaving the RCM in
1992, Philip has worked as guest Principal Oboist with the Royal Opera House
Orchestra, London Philharmonic Orchestra, Royal Philharmonic Orchestra, BBC
National Orchestra of Wales, City of London
Sinfonia and the Orchestra
of St. John’s. In 1994 Philip was
appointed Principal Oboist of English Sinfonia and in
September 1998 was Principal Oboe of the European Union Opera in Baden, Germany. He also plays with the English Chamber
Orchestra.
Philip appears regularly as a
concerto soloist and recitalist; he is also a keen chamber music player.
Elis
Pehkonen
Composer
Born Swaffham, Norfolk
1942. First composition lesson Britten. Composition Scholar Royal
College of Music 1960-64.
Pupil of Fricker. Professional composer since 1966. Has
composed over 150 works. First commission King Lynn Festival. First
broadcast 1968 BBC Radio 3, Laurie Lee Songs. Much commissioned work,
especially from BBC & larger Choral Societies, New London Children’s Choir,
BBC Philharmonic Orchestra, BBC Singers, City of London Sinfonia, Endellion Quartet. Widely known for choral music (published
by OUP) including the Russian Requiem (performed worldwide), Gloria
(commissioned by Brian Kay), Ode to Saint Cecilia.
Works performed at all South Bank
venues, Three Choirs, Cheltenham Festivals, Covent Garden,
Wigmore Hall. Also performed
in Australia, NZ, Europe,
SA, USA, and in the UK in major centres e.g. Aberdeen,
Birmingham, Portsmouth,
Oxford, Leeds, Huddersfield, Chichester, Derby.
etc. Recent work for virtuoso performers, John Turner, Danielle Perrett, Ross Winters, Raymond Burley. In 2005, performances in Manchester,
Norwich, and
new choral work for Oxford-based Choir “Choros” for unacc. SATB Choir & 2 Horns.
And here at Snape Maltings
in December the Ode to Saint Cecilia with Aldeburgh Music Club Choir, conductor
Philip Simms, international soprano soloist Lesley Jane Rogers.